Forty-two
"42" is the number on the Brooklyn Dodgers uniform worn by Jackie Robinson when he broke the color barrier in major league baseball. The movie bearing that title is the story of how he came to that time, and what his rookie season was like. Baseball is the background, but the story is one man, two really, driving an unstoppable wedge to splinter an unjust structure of racism. The story is what it required of them on profound personal levels, and the story is true. Who is the 'two' if Robinson is 'one'? Branch Rickey, owner of the Brooklyn Dodgers. He was the impetus, and while he tries to palm it off as smart business--and he is canny and skilled--it isn't that. Rarely does a film story include personal, Christian faith and play it as the quiet foundation: no hitting the audience on the head to proselyte, no snarking either. Rickey selects Robinson as the one to break the code, the unwritten law of separation. He describes what might b...